Menu
Log in


Log in

SAW Notes

<< First  < Prev   1   2   3   4   5   ...   Next >  Last >> 
  • 08/09/2026 4:39 PM | Kelly Diamond (Administrator)

    AI in Music: Imitation vs. Empowerment

    Like so many of the rapidly changing circumstances today, AI in music is a polarizing and game changing technology that is here to stay whether you accept it or not. SAW wanted to look at this from as many perspectives as possible. At SAW we have been playing with AI’s uses in music and watching the reactions it generates for a while, so we thought it time to communicate.

    It’s obvious that artificial intelligence is rapidly reshaping the music industry, but not all uses of AI tools are equal. Broadly speaking, there are two very different paths emerging.

    One treats AI as a replacement for human creativity—generating songs that mimic what already exists.

    The other uses AI as a production tool—augmenting human artists, lowering barriers, and accelerating the creative process.

    Both very different types of AI have met with an instinctive disapproval that is understandable. It does lose sight of the possible positives. That same intense disapproval happened in the last century when records (1920's), electric instruments, midi/synthesizers, home DAWs, Autotune and other tools came along to shape live and recorded music. In each period these innovations were decried as "the death of music". But real artists did and will adapt, adopt and explore the uses of new technologies because creativity always finds a way.

    It is important to separate these two distinct uses of AI in music for human beings. They may appear similar to the fearful untrained eye. But using AI to generate approximations of original songs/music based on massive sampling and modeling of other songs is oceans away from using AI to speed, democratize and make affordable the production process for songwriters and musicians by augmenting human artists, lowering barriers, and accelerating the creative process.

    Understanding this distinction is critical, because these two approaches don’t just differ technically—they reflect opposing philosophies about what music is and who it’s for.

    1. AI as a Generator of “Human-Like” Music

    One of the most visible uses of AI in music today is generative composition: systems trained on massive datasets of existing songs that can produce new tracks in similar styles. These models analyze patterns—melodies, chord progressions, rhythms, vocal tones—and recombine them into something that sounds familiar, even convincing.

    At first glance, this feels impressive. You can prompt an AI to create “a beatles-style song” or “a 90s grunge track,” and within seconds, you get a polished output. But under the hood, this process is fundamentally derivative.

    AI-generated music of this type is:

    • A statistical remix of existing works
    • Built on pattern recognition, not lived experience
    • Optimized for plausibility, not originality

    It doesn’t intend anything. It doesn’t struggle, experiment, or break rules. It simply predicts what should come next based on what it has ingested as data before.

    Songs and music have always been more than structure—its expression shaped by:

    • Emotion
    • Context
    • Culture
    • Imperfection

    When AI generates a song purely from data, it lacks those grounding forces. The result can sound “right,” but often feels hollow on repeated listening. It’s convincing, but rarely compelling.

    It is predicted this approach will eventually:

    • Flood the market with generic, interchangeable music
    • Devalue human artistry
    • Shift focus from meaning to mere consumption

    In short, it treats music as a product to be manufactured, rather than a medium of expression. While that may appeal to business and those who seek fame over authenticity but most of us will tire of that product and it will lose its grip on the industry over time and may harm music creation in ways we can only speculate about.

    2. AI as a Production Tool and Creative Multiplier

    Now contrast that with a different use of AI—one that doesn’t try to replace the artist it empowers them.

    Here, AI is not the creator. It’s the assistant.

    What This Looks Like in Practice

    • AI tools are already helping musicians:
    • Clean up recordings (noise removal, vocal tuning)
    • Generate rough drafts or idea starters
    • Suggest chord progressions or harmonies
    • Automate mixing and mastering
    • Convert hummed melodies into full arrangements

    These tools don’t decide what to create—they help artists execute their vision faster and more effectively.

    The Real Impact

    This approach fundamentally changes access to music production.

    What once required:

    • Expensive studio time
    • Specialized engineers
    • Years of technical training

    Can now be done:

    • From a laptop
    • At a fraction of the cost
    • By independent creators anywhere in the world

    Why This Matters

    This is where AI becomes transformative in a positive way:

    • It democratizes music creation
    • It reduces financial barriers
    • It allows artists to focus on creativity instead of technical friction

    Instead of replacing musicians, it expands who gets to be one.

    3. The Sharp Contrast

    At a glance, both uses involve AI and music. But their implications couldn’t be more different.

    AI as Generator AI as Tool
    Replaces human input Enhances human creativity
    Derives from past data Enables new expression
    Focuses on output Focuses on process
    Risks homogenization Encourages diversity
    Lowers effort, no insight Lowers barriers, not meaning

    One approach asks: “Can AI make music instead of us?”

    The other asks: “How can AI help make and produce my music?”

    That difference is everything.

    4. Where This Is Headed

    The future of music will likely include both paths—but they won’t be valued equally.

    AI-generated songs may dominate low-stakes environments: background music, content filler, algorithm-driven platforms.

    Human-driven music, supported by AI tools, will continue to define what resonates deeply with people.

    Because ultimately, listeners don’t just respond to sound—they respond to intention. And artistry is mindful of the past but not shackled by it as imitation always is.

    AI can imitate music, but it doesn’t care about it. Artists do.

    The most meaningful use of AI in music isn’t to replace that human element—it’s to remove the obstacles around it. When used as a tool, AI doesn’t diminish creativity. It gives more people the chance to express it.

    Love it, hate it or just don’t care, AI is going to change the landscape of music creation and production. Learning about it will not make you weak but leaning on it in a lazy fashion will do just that. The future belongs to those who can adapt and remain in control of their vision, creativity and expression.

    Thanks,

    Jay Keating and Kelly Diamond

    SAW Leadership Team


  • 08/11/2023 11:29 AM | Kelly Diamond (Administrator)

    FAQs about entering the MASC

    How do I decide which category my song belongs in?

    You may want to listen to past winning songs to help determine which category(ies) to select for your submission. Check out our MASC Stories video series on Vimeo or YouTube for a more in-depth look at the songwriting process. Find some similar well-known songs and artists and research how they are labeled. And/or ask your friends and fans for their opinions.

    Remember that you can enter the same song in more than one category (entry fees are calculated based on one category per song, however, so entering a song in two or more categories means that additional entry fees will apply).

    How polished does my recording need to be?

    Our judges evaluate the various components and overall delivery of the song itself, not its production or performance. That being said, if your singing is horribly off-key or the rhythm is off, it can detract from the overall evaluation in a way that’s hard to ignore. Try to focus on presenting your song in its most pure and effective form.

    What about video entries? What kinds do you accept and how are they judged?

    Again, the MASC is all about the song, so we are looking for videos that best support and present great songs. We encourage you to submit any and all types of videos for all genres of songs.

    What rules do I need to know and how do I enter?

    Read all the fine print on the About the MASC page and go to the ENTER page when you are ready to fill out the online entry form.

    I started filling out the form but didn’t finish. How do I go back to where I left off?

    You can save your progress at any time. When you click on the save button, you will have the option to copy the direct link to your incomplete form and/or email the link to yourself. Once your entry is complete, you will receive a confirmation email that includes all entry and payment details.

    I want to use a credit or debit card to pay the entry fees, I don’t have a PayPal account.

    You will see the PayPal logo when you check out because the entry fees are processed by PayPal and deposited in SAW's account. But you don't need a PayPal account to pay; you can use a debit or credit card.

    What does my entry fee cover?

    Your entry fee, in addition to making you eligible for all the prizes, provides funding for many educational and networking opportunities in the art and business of songwriting, and supports DMV songwriters, other music organizations and music events through SAW programming. SAW provides emerging songwriters with performance opportunities, workshops, and peer critique. For more information about SAW, visit the SAW website.

    Still have questions?

    Email us at masc@saw.org


  • 03/15/2021 12:05 PM | Kelly Diamond (Administrator)

    Anita Aysola's Heartbeat (co-written with her husband Dhanu Meleth, with videographer Cameron Mitchell) won Finalist awards in both the Video and Freedom song categories. She talks about what inspired her to write the song, how her early training in classical piano and Indian vocals influences her music now, and introduces us to ragas and sargam, and end with a bit of her song "Beyond Our Dream". Anita's website is https://www.anitaaysola.com/


  • 03/09/2021 12:04 PM | Kelly Diamond (Administrator)
    Diana Quinn interviewing Wicked Sycamore for multiple MASC wins. Their website is https://wickedsycamore.com/


  • 03/08/2021 11:57 AM | Kelly Diamond (Administrator)

    Our Silver Hip Hop / R&B Winner is grounded in a generational family of music and he talks about his doubts and his song "Doubt


  • 03/02/2021 4:45 PM | Kelly Diamond (Administrator)

    Griefcat (Louisa Hall and Anne Nardolilli) won some prizes in the MASC. Steve Pendlebury caught up with them online to discuss the past, present and future of their collaboration. You can find more of the Mid-Atlantic Song Contest conversations at saw.org. Let us know what you think and what you would like to see. 

  • 02/28/2021 4:43 PM | Kelly Diamond (Administrator)

    Anne-Marie Pietersma submitted a comedic video about depression and Diana Quinn caught up with her on zoom to talk. Songwriting, comedy, mental health and the state of keeping on track in a pandemic world. She was also one of the songwriters at the Louise Goffin songwriting 5 week class that SAW sponsored this year. #depressedbutdressed


  • 02/26/2021 4:40 PM | Kelly Diamond (Administrator)

    Adalia won the Gold in the MASC Video Category. We got to visit with her and find out what inspired her song "Come Home", how and where it was filmed, and how she is handling the transition from Sedona, AZ to Suburban MD. https://www.adaliatara.com/ is her website.


  • 02/17/2021 5:01 PM | Kelly Diamond (Administrator)

    We stopped in for a chat with the hardest working man in local music, rob hinkal. He talks about why he entered the contest this year, the inspiration and influences behind his song unEven, how he balances his art and the rest of life, music during the pandemic and beyond, touring vs streaming, and more. rob's wife, Kristen Jones is featured as part of her excellent use of NS's electric cello in this video.

  • 02/17/2021 12:51 PM | Kelly Diamond (Administrator)

    We talked to just some of the songwriters of "We Rise", written by the Music Team of Zero Hour, a youth-led climate action group. Arielle Martinez-Cohen, Andrea Manning and Gabrielle Zwi joined us from all over the US to talk about this Silver Award winning song, originally written to be performed at rallies for the Climate Justice movement.

<< First  < Prev   1   2   3   4   5   ...   Next >  Last >> 

Songwriters' Association of Washington is a 501(c)3 non-profit organization.

 

president@saw.org

5810 Greenlawn Dr.
Bethesda, MD 20814

Powered by Wild Apricot Membership Software